Congratulations to Totó la Momposina for her Lifetime Achievement Award which she received at the Latin Grammys in Las Vegas in November. She graciously said in her address that the Award was for all those who had helped her on the way – her family, all the musicians that have passed through her band, her son Marco Vinicio and her son-in-law John Hollis.
Totó recorded the legendary album ‘La Candala Viva’ for Real World Records in 1993 - a turning point in her illustrious career.
As the year comes to a close, here’s a reminder that our first new release for 2014 is The Gloaming’s much anticipated debut.
Featuring a who’s who of contemporary Irish musicians (Martin Hayes, Dennis Cahill, Iarla Ó Lionáird, Caoimhin Ó Raghallaigh, with American pianist Thomas Bartlett/aka Doveman), The Gloaming’s music is anything but simple nostalgia. Carving new paths connecting the rich Irish traditions with the New York contemporary music scene via Bartlett’s extraordinary playing, it’s haunting and emotionally charged, ancient without being mere reproduction.
For an introduction to The Gloaming this is a preview of ‘Moment to Moment’, an hour-long documentary about the project set for broadcast on Irish national network RTÉ on 30th December at 11.30pm.
The Gloaming is out on 20th January and available to preorder now
The Songlines Music Awards 2013 Winners’ Concert takes place at London’s Barbican Centre on Friday December 13th. Dub Colossus were the worthy recipients of the award for Cross Cultural Collaboration for their album ‘Dub Me Tender’. For this special event, the UK-based members of the band will perform. Fellow award winners at the concert will be Angélique Kidjo, Mokoomba, and Lo'Jo.
If you haven’t already got this amazing album, check it out.
“The shimmering Ethiojazz elements remain, but Dub Colossus mastermind Dubulah applies heavy one-drop pressure to hypnotic effect.” - Metro
We’re delighted to see that The Creole Choir of Cuba’s Santiman has been picked by the critics for some of 2013’s Best Albums lists.
The album features in Uncut’s Top Ten Best World Music Albums, and is part of The Sunday Times’ Best 100 Records of the Year, described by Clive Davis as having “soaring spirituality and raw soul, with subtle shifts between the Caribbean and Africa.”
Santiman, the Choir’s second album, is well-deserving of this recognition. Freedom songs that have been passed down through generations of Haitian emigrants in Cuba are brought to life with vibrant harmonies, lilting melodies and rich, deep Caribbean rhythms. A hefty dose of Cuban flair creates a rich, soulful sound that evokes their proud history of resistance and resilience.
News of the death of the great Tabu Ley Seigneur Rochereau on November 30th has reached us at Real World. This great man, a cornerstone of African music, came to Real World Studios in 1989 to whip up an unforgettable party which we recorded to create the album Babeti Soukous.
This recording by Tabu Ley – one of over 150 releases – was made one cold night in January 1989, with an audience of friends and invitees dancing and clapping in the minstrel gallery of Real World’s main studio in a converted Wiltshire water-mill.
The band had set up in the big wood-lined studio during the afternoon and played their 20-odd numbers straight through in the evening, achieving precisely Real World’s intended blend of an authentic performed sound with the best of recording technology. Seigneur Rochereau, as his junior musicians called him respectfully (“Lord “ Rochereau – the latter is a nickname from Tabu Ley’s Kinshasa schooldays and refers to a Napoleonic general) came over from Paris a few weeks later for a sweift mixing session, adjusting the solo (lead) guiar and keyboards parts painstakingly and leaving the rest to engineer Dave Bottrill’s discretion, before heading for Chippenham railway station thoroughly satisfied with yet another smoothly professional piece of music-making.
Tabu Ley was one of the two great starts of Zairean (and therefore all African) popular music. His career bridged decades – from the 50’s, when as a high-flying teenage singer/composer he made his debut in the band of the Great Kalle, father of Congolese pop, to the 70’s and 80’s, when many of the new wave soukous artistes were graduates of his Orchestra Afrisa International.
The tracks he selected for this album comprise a broad retrospective of Zairean pop of the previous 20 years. The latest guitar-and-snare rum numbers, with their racing skipping rhythms and “kwassa-kwassa,” “Madiaba” or “tshuka” dance-step calls, rub shoulders with older soukous an rhumbas featuring the delicious Latin-inflected hornchoruses and jazzy saxophone solos that had been abandoned by many younger group. Snatches of rock, R & B, French variété and Zairean traditional rhythms season the mix.“ (Phillip Sweeny from the original sleeve notes to ‘Babeti Soukous’).
An extraordinary meeting of five musicians poised to become a vital force in contemporary music. Fiddle virtuoso Martin Hayes, guitarist Dennis Cahill, sean-nós singer Iarla Ó Lionáird, hardanger innovator Caoimhín Ó Raghallaigh and New York pianist Thomas Bartlett (aka Doveman) – The Gloaming creates a new musical alchemy between ancient Irish traditions, experimentation and modernity… read more.
22 January - Glasgow City Hall (Celtic Connections)
23 January - The Sage, Gateshead
24 January - Union Chapel, London
26 January - National Concert Hall, Dublin
Joseph Arthur performed and recorded to tape in Liechtenstein at Little Big Beat Studios in front of a live audience. Joe Benson caught him after the performance to talk about his tour and new album, The Ballad Of Boogie Christ (Acts 1 & 2).
Following sell out concerts in Europe earlier this year, we are delighted to welcome The Gloaming back to the UK and Ireland in January 2014 to launch their debut album, ‘The Gloaming’, due for release 20th January.
22 January - Glasgow City Hall (Celtic Connections)
23 January - The Sage Gateshead
24 January - London Union Chapel
26 January - Dublin National Concert Hall
The Irish post described The Gloaming as “truly dazzling, extraordinary musicianship meets with old Gaelic numbers – delivered with a contemporary twist”, while according to TheArtsDesk.com, they “spectacularly fulfilled, and surpassed, all expectations. … The music-making was sublime and the standing ovation entirely deserved.”
The Gloaming are five virtuoso musicians: fiddle master Martin Hayes, guitarist Dennis Cahill, sean-nós singer Iarla Ó Lionáird, hardanger innovator Caoimhin Ó Raghallaigh and New York pianist Thomas Bartlett (aka Doveman). Each have highly successful individual careers, but have together discovered a shared musical aesthetic which, although charged by the traditions of Ireland, is anything but simple nostalgia.
Tickets are on sale now with more dates in Europe to be confirmed.