Värttinä enjoyed a very successful performance at Midem convention in Cannes on January 22 on the main stage, Ambassadeur Hall as part of Finnish Opening Night which also featured Kimmo Pohjonen / Samuli Kosminen Kluster and Apocalyptica. Värttinä performed four songs from the new album Miero (Real World) with the show's climax being the explosive song "Riena", Miero´s lead-off track. No men were spared from their fiery tongue-lashing! The 1000 strong crowd was cheering with excitement as the band left the stage. After the show and throughout the next three Midem days, ecstatic responses to the concert flooded the Finnish stand. Värttinä missed all the praise as they flew immediately back to Toronto to continue rehearsals for The Lord of the Rings stage adaptation.
Iarla O Lionaird brought a unique style of singing to London Convent Garden's Royal Opera House on January 25. Singing in the Linbury Theatre- Royal Opera House 2 - the 'alternative' face of the Opera House which aims to create new art and bring new audiences to the prestigious venue. As part of a series of concerts (which includes a performance by Real World's Daby Touré on January 28) 'Opera World/World Music is the beginning of new journeys for opera into the 21st century, journeys where no-one can yet imagine the destinations...'. Iarla's concert was reviewed in London's Evening Standard newspaper : " The Royal Opera House is a regular home for songs of love and loss in languages the audience doesn't understand, but this was the first concert in ROH2's Opera World World Music series exploring " the future in four corners of the world". The intimate space of the Linbury Theatre is a great setting for this music and broadens the palette of the venue.'
"This is a request for help. We've had ties with Pakistan from many years, particularly with Qawwali music and the extraordinary voice of Nusrat Fateh Ali Khan. His family have generously agreed to allow us to make available two tracks - one a collaboration with Massive Attack , 'Mustt Mustt' and one with myself 'Taboo', as a download to raise money. So basically you are getting two extraordinary pieces of music for the price of one! We need a lot of downloads and we need you to do a bit of marketing for us. So, if you could persuade say 10 of your friends to do the same download we can get real money to real people really fast. Please help us to help them!" Peter Gabriel
Two Events to Celebrate the Life and Work of Martyn Bennett :
Afternoon Concert on Saturday 14 January at 1.00pm at the GRCH Auditorium:
This is the first of two concerts which take place today which aims to explore, celebrate and build upon Martyn's rich musical legacy.
Focusing on Martyn's work as a composer in the classical sphere, the Orchestra of Scottish Opera will perform his hauntingly powerful suite 'Mackay's Memoirs', along with an orchestral arrangement of 'Liberation' by Greg Lawson. Mr McFall's Chamber and Fraser Fifield will perform 'Piece for Small Pipes' and 'String Quartet', and a series of new arrangements of material from the forthcoming Martyn Bennett Tunebook.
Martyn Bennett day encompasses two concerts programmed from his body of work, to truly represent the full spectrum of his talents with new, specially commr pieces which have never previously been performed, all taking place in a spirit of boundary-busting collaboration which was very much Martyn's own.
Martyn inhabited various musical worlds without any apparent effort - classical music, dance music, traditional music. He made and played all of these types of music at once; some people joined in, others shuddered, but everyone got the point. Through his work, these different worlds began to talk to each other, and today's programme is all about the encounters which he set in motion.
"No one person could represent Martyn's music," says his close friend Martin Swan and co-ordinator of the day's events, "It would take a crowd of thousands. This is a collective attempt to recognise Martyn as the extraordinary composer, musician, producer and character that he was, by putting on the kind of gigs that he would have loved to have been at." Martyn Bennett Club Night on Saturday 14 January at The Old Fruitmarket at 9.30 pm
The aim of this club night is simple: to make it a truly euphoric night, that rocks the Fruitmarket as Martyn Bennett himself would have done. The headline act will be Cuillin Music, recreated by Martyn's friends and family, and featuring a whole swathe of guest performers. Cuillin Music will perform tracks from the original live sets as well as previously unperformed material from 'Grit'. The night will end with a Martynesque 21st Century Massed Pipes and Drums, a controlled chaos involving Beltane Drummers, Regimental Drummers and quite a lot of Pipers. With DJ sets, an extraordinary support act, serious lights and video and a worryingly big PA, this night should have the new-look Fruitmarket PA calling in the structural engineers!
Martyn Bennett Day encompasses two concerts programmed from his body of work, to truly represent the full spectrum of his talents with new, specially commissioned arrangements of recorded material, along with other pieces which have never previously been performed, all taking place in a spirit of boundary-busting collaboration which was very much Martyn's own.
Martyn inhabited various musical worlds without any apparent effort - classical music, dance music, traditional music. He made and played all of these at once; some people joined in, others shuddered, but everyone got the point. Through his work, these different worlds began to talk to each other, and today's programme is all about the encounters which he set in motion.
"No one person could represent Martyn's music," says his close friend Martin Swan and co-ordinator of the project, "It would take a crowd of thousands. This is a collective attempt to recognise Martyn as the extraordinary composer, musician, producer and character that he was, by putting on the kind of gigs that he would have loved to have been at."
Welcome to OperaWorld/WorldMusic
-- the future in four corners of the world
The internet, satellite television and cheap travel are turning the world into a global village. As different musical cultures collide and influence each other, the human voice remains a constant of human expression, but the opera of the new century will be refracted through the prism of a multi-cultural world. Where might the new musical hybrids lead? What kinds of music, what kinds of operas might results?
ROH2 and OperaGenesis combine to celebrate the range and diversity of many traditions to pose the question, how will world music change the shape
and sounds of 21st century opera?
Two outstanding performers from Real World are taking part in this series of concerts at the Linbury Theatre which is part of the Royal Opera House, Covent Garden, London. On Wednesday 25 January Iarla O Lionaird will be performing with musicians Leo Abrahams and Graham Henderson. On Saturday 28 you can catch Daby Touré.
This will be an fantastic setting for music unexpected in an opera house!
Iarla's latest album has had been this year's critics choice - voted best album (Folk and Traditional Music) by The Irish Times.
On December 14 he recorded three songs for the upcoming series of Other Voices in Daingean, County Kerry along with Asian Dub Foundation, Jape and The Alabama 3. You can catch this on screen in the new year.
You can also catch Iarla on an RTÉ television special - the Cork 2005 Gala Event - sharing the stage with James Galway, Michael O Suilleabhain, Catherine Leonard, Majella Cullagh and others.
And yet another TV appearance will be on the TG4 TV channel 'Ardan' with Grahan Henderson and Leo Abrahams!
Chinese flute player, writer and chinese food specialist Guo Yue will be performing in London on the day that his first book is published. More details about the book and his new Real World CD - both entitled 'Music Food and Love' can be found on Yue's website.
On Wednesay 25 January from 1.05 to 1.55 pm at St Anne and St Agnes, Gresham Street, London EC2V (closest tube: St Pauls) Yue will perform with percussionist Joji Hirota. 'Red Ribbon' is unique Japanese-Chinese partnership which began in the late 1980s. The concert is free and part of the Corporation of London's Winter series.
Afro Celt Sound System's Anatomic was voted number 2 in the 'Best of Echoes' Listeners Poll for 2005. Echoes is the nightly music soundscape heard on over 130 public radio stations across America, on XM satellite radio, Channel 133 on Sundays 3 till 5 pm (ET in the USA) on online via the link below.
The album also came in at number 19 in the '25 Essential Echoes CDs for 2005' as picked by presenter John Dillberto and his staff.
Värttinä are to lauch the opening night of next year's music industry bonanza MIDEM with a performance alongside other Finnish artists. Performance date: Sunday, January 22, 2006
Venue: Palais des Festivals, Salle Ambassadeurs, Cannes France. Doors: 20:00 Showtime: 21:00-21:30.
Värtinnä will be celebrating the worldwide release of their 10th studio album "Miero" on Real World on January 30th and the start of previews of the Lord of the Rings stage production in Toronto on February 2 and the Gala World Premiere on March 23 at Princess of Wales Theatre, featuring music co-composed by Värttinä, Indian composer A.R. Rahman and LOTR music supervisor Chris Nightingale.
You can catch Iarla O Lionnaird both on air and live on Friday 25 November. At 2.45 pm RTÉ radio 1 in Ireland welcomes Iarla as the guest curator of their magazine arts programme Rattlebag. Iarla's chosen theme is "Lift Off - Space, Music and Creativity" and you can hear a collection of music, poetry and spoken word exploring this fascinating idea. Expect the usual measure of ancedote, erudition and wit from Ireland's leading sean-nós singer. Not to be missed for Irish listeners (or log no at the address below).
Later in the evening Iarla will be performing live in a trio with Graham Henderson and Leo Abrams at Cork City Town Hall as part of the celebrations of 2005 City of Culture. The theme of the concert is Music Migrations - North of the River. As the world truly becomes a global village, the Irish music scene has also changed with the times. From the first recordings of music on a wax cylinder to the most sophisticated of digital downloads today, music has mutated and morphed into an attempt to fully embrace these changes, whist still remaining rooted in the oral tradition transmitting its message from person to person. Ireland has also one of the most vibrant contemporary music scenes in the world. This contemporary voice, this 'other' voice if you like, will be an integral part of this final part of the Music Migrations series where we celebrate The Irish Voice from the traditional to the contemporary. A concert not to be missed!