Real World Records to release ‘lost album’ by the late Nusrat Fateh Ali Khan
Discovered in the label's archives, the album captures the singer at the height of his vocal powers.
Wed, 19 June 24
Real World Music is proud to announce a new publishing deal with English singer-songwriter Tim Bowness. Tim Bowness is primarily known as vocalist/co-writer with the band no-man, a long-running collaboration with Steven Wilson.
Tim will release his sixth solo album, Late Night Laments on 28 August 2020 on Inside Out / Sony Music. The album offers a collection of lush, atmospheric songs with a wide lyrical scope marking the most intimate yet universal of Bowness’s solo releases. As a first track, Tim Bowness decided to release the unsettling yet accessible ‘I’m Better Now’ (which presents an intriguing stylistic departure for Bowness).
Bowness comments:
‘In some ways ‘I’m Better Now’ represents the flipside of the title song from my previous album, “Flowers At The Scene”.
‘Flowers At The Scene’ focused on the repercussions of a violent crime (the impact on the victim’s family and friends), while ‘I’m Better Now’ is written from the perspective of a perpetrator of a hate crime.
For a variety of reasons, society has seemingly become increasingly polarised over the last half-decade and along with an rise in intolerance, there’s been a real sense of more and more people becoming disaffected and feeling ‘left behind’ or invisible. Sometimes, the consequences of that can be ugly.’
Peter Chilvers — who’s previously created visuals for Brian Eno – is responsible for the abstract video that superbly evokes the ominous and chilly mood of the lyric.
Musically, the track includes contributions from Knifeworld’s Kavus Torabi and Melanie Woods. Bowness says, ‘Kavus’s biting and twisting solo is a particular highlight of the song for me.’
Mixed by his longtime partner in no-man, Steven Wilson, and mastered by Calum Malcolm (The Blue Nile, Prefab Sprout), the album — co-produced by Bowness and Brian Hulse — combines electronic soundscapes, acoustic instrumentation and unexpected rhythms in a tightly focused and emotionally charged opus. The artwork is once again by Jarrod Gosling.
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Discovered in the label's archives, the album captures the singer at the height of his vocal powers.
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