On the Caribbean coast of Honduras, in the tiny village of Plaplaya, Garifuna songwriter, singer, and guitarist Aurelio first learned music at his mother's knee. At the end of the day, villagers would return in their boats to the river landing, gathering to hear paranda, the guitar-driven music of Garifuna troubadours who teased and taught, bemoaned and praised community life.
His childhood village has become a touchstone for Aurelio, a dedicated Garifuna cultural advocate and musical innovator. In original songs crafted by Aurelio and his mother Maria Martinez, as well as traditional tunes, he returns to the landing place that launched him with Lándini ("landing" in Garifuna), a swaying, bittersweet homage to his beloved home and people.
I consider this album to be the sound of my Garifuna people. On the previous album [Laru Beya] we experimented and collaborated with other artists to reconnect what was lost between Africa and America. This album is purely Garifuna, and the entire spirit of the music reflects the Garifuna experience.
Though it incorporates elements from a wide variety of sources, Garifuna music's heart beats with very personal, deceptively simple tales. Aurelio credits his mother Maria, who dreamed of being a professional singer, with introducing him to the basics of Garifuna songcraft. Like many Garifuna, she composed her own songs based on community events and her personal experience. She would teach the verse and chorus of the songs to her son, who would then go on to build on the tale by adding another verse, in traditional Garifuna style.
My mother is the sole inspiration for this album, says Aurelio. My mother sees herself reflected in me, to a large degree, the only one of the family who could fulfill her dream of singing professionally. She reminds me of songs, and will give me advice on music and the songs. She's the best example I have in my life of what a human being should be, my main consultant and confidante.
Irawini ("Midnight") reflects this affectionate, collaborative bond between mother and son. Composed by Maria, it tells of listening to Aurelio play guitar in the distance, as she waits anxiously for his return home one night.
Garifuna songs, be they new or very old, are often filled with teasing humor and straightforward meditations on relationships. They chronicle major events in the life of a community; Milaguru is a plea for the captain of a ferryboat that capsized, killing all aboard, to be careful and steer his passengers home. Other songs tell of personal sorrows: the persecution and heartbreak of Durugubei Mani, which laments the singer's persecution by the community, or Nafagua, which laments the death of a loved one.
What's really important is how the listener interprets a song via his or her own experience, explains album producer Ivan Duran. When a Garifuna song becomes popular in the community, it's usually not because it has a catchy melody or it's a fun song. It's because the experience that is conveyed in the song resonates with the listeners' own experiences. Songs that resonate are re-purposed, transformed over time as singers add new names and places, new thoughts and verses.
In their stark simplicity, Garifuna songs find unexpected depth. They often carry a double meaning that embraces life's ambivalence, the gray area between love and irritation, between happiness and woe. It's a combination Garifuna troubadours have refined to streamlined perfection, pairing upbeat, dynamic rhythms with melancholy, heartfelt melodies.
In recording Lándini, Duran - who hails from Belize and has dedicated most of his professional life to working with Garifuna artists - strove to accentuate songs' double nature, with their complex emotional resonances. Duran's touches are restrained and subtle, leaving the spotlight on Aurelio and his long-time band's delicate drive and passionate performances, on the sounds of the drums, voices, and guitars masterfully played by Guayo Cedeño.
SAÑANARU (I CAN'T HANDLE HER)
I can't handle her character, I don't know what to do with her and all her defects. I'll just park her there, like a canoe.
This song could be about a love affair, or a difficult moment between relatives, but it gets to the heart of the bittersweet difficulties of close relationships, with music that straddles the upbeat and the melancholy with typical Garifuna grace.
Please dress me up so that I can look beautiful when Nando comes back home.
Co-written with Maria, this tune chides unfaithful women who get into mischief while their men are at work. The singer, however, remains devoted and loyal, waiting eagerly for her love's return.
MILAGURU (THE MIRACLE)
Captain, please hold the wheel so you can land in Guanaja and save the life of all your passengers. Captain, do everything you can so you can bring us back to our families tonight.
Inspired by a tragic ferry accident in the 1990s that killed everyone aboard, this song, written by a grieving relative of one of the victims, implores the ferry captain to take care as he guides his ship.
NAFAGUA (I WILL TRY)
I cannot believe it. I will try and speak to him to see if he can wake up from his coffin.
A traditional song made up of several short vignettes, Nafagua describes the sorrow of a loved one's sudden death, as well as the return of a long-lost traveler.
NARI GOLU (MY GOLDEN TOOTH)
What did you bring me from Porto Barrios? You brought me these gold teeth. Now please buy me a new pair of shoes, and give me some money for a dress, so I can look good and show my girlfriends.
A light-hearted, humorous song by Maria, filled with good-natured teasing.
My boat is parked here and the people have gone to the bush. Look at me here, I'm waiting here by the river. Why is the plantation so far away? Why do we have to go so far to reap the food to feed our families?
A song about one of the main meeting places in Plaplaya, the river landing where villagers dock their boats, and a meditation on the difficulties of making a living.
LIRUN WEYU (SAD DAY)
It's a really sad day. None of my friends have even brought me a plate of food. Mom, I know I'm useless now here, just lying in the hospital. When I die no one will care...Bury me by the beach in my town.
A newer song by Shelton Petillo, a young Garifuna composer in Belize, this tale of neglect and sadness captures a frequent theme in Garifuna songs, the feeling of being forgotten and abandoned by your loved ones.
DURUGUBEI MANI (EVIL PEOPLE)
They say there is authority and law, but that's not true. What did I do, that they want to hang me?
This traditional song laments the singer's sense of helplessness and injustice in the face of the community's condemnation.
I hear the guitar from far away. I hear Aurelio and his guitar visiting midnight.
In this poetic account, Maria paints a vivid picture of her late-night vigils waiting for her musician son to return home. She hears his guitar first and knows he's on his way.
FUNA TUGUDIRUGU (UNBORN CHILD)
Every day that passes I see you with this sickness. This will bring you problems. It will always bring you babies. This is a bad disease that is going around town.
This song addresses the "sickness" many girls succumb to in Garifuna communities: pregnancy at a tender age. The song advises young women to think carefully about their choices before taking on the responsibilities of single motherhood.
NITU (OLDER SISTER)
I love my big sister, but if anyone touches her, the peace is over. Just because you're older than me doesn't give you the right to insult me. Never be ashamed of me, and I won't be ashamed of you.
A traditional take on the many sides of sibling relationships, touching on protectiveness, rivalry, and a longing for reciprocity.
Ginger is medicine for my body. I've been in love with this woman a long time, but she won't accept me.
Garifuna often use ginger medicinally, and singers like to chew on the root before performing. However, even the potent plant can't help the singer of this song, composed by Aurelio, who bemoans women's narrow focus on money and possessions.
- No. 9 fRoots Best of the Best Albums 1986-2015 Read more" fRoots (UK)
- ...bref, un petit bonheur caribéen. d'Aurelio nimbé de douce nostalgie et illuminé de superbes parties de guitare, acoustique de électrique. bref, un petit bonheur caribéen (Aurelio is shrouded in sweet nostalgia and superb guitar parts... in brief, a piece of Caribbean Happiness.) Midi Libre (France)
- Live from WOMAD Charlton park Festival 2015 One of the warmest responses was for Aurelio, the garifuna singer from Honduras.The garifunas are a particular mix of indigenous Indians and escaped slaves who have their own religious and musical practices. There were significant queues for a CD signed by the man after his show. Read more The Arts Desk (UK)
- Live from WOMAD Charlton Park Festival 2015 Our choice of late-night viewing was another highlight. Aurelio is cultural ambassador for the Garifuna people of the Caribbean coast of Central America. His lovely warm-hearted rhythms find space between an Afro percussion sound and the Latin lilts of his homeplace, and he was accompanied by a guitarist who crafted one beautifully jaw-dropping solo after another. A fitting end to the day. The Irish Times - Guest Post by Nigel Wood (Ireland)
- Rising stars of world music The Times (UK)
- No. 2 Best World Music Albums 2014 Read more. Worldmusiccentral.org (USA)
- Aurelio talks to PRI's The World... "Music, for me, is my weapon to make change" Aurelio Martinez has two major roles in his life: He's a musician, specializing in the music of the Garifuna people of Central America, but he's also a politician who advocates for their rights... read on. PRI's The World (USA)
- Lots of percussion but strong on melody. MOJO Magazine (UK)
- Songlines Best of 2014 Many of the songs are instilled with a sense of melancholy, yet ultimately Landini is a celebration and homage to the richness of Gurifuna culture. Songlines Magazine (UK)
- No. 3 - The Sunday Times Culture best 100 Records of 2014 Think of it, if you like, as the new-world version of Cape Verdean cool. This singer-guitarist's celebration of Garifuna heritage yields a patchwork of melody. The Sunday Times Culture Magazine (UK)
- No. 37 in Curious Animals 'Best Albums of 2014' Read more. Curious Animal (Online)
- No. 3 - FRoots Critics Poll - Best album of 2014 The winners were announced on BBC Radio 3's - World On 3. Mary Ann Kennedy and Ian Anderson talk about Aurelio and play Lirun Weyu. Listen again. FRoots Magazine (UK)
- * * * * The sound has a melancholy about it in many places, a wistfulness that contrasts with the percussion and electric guitar ... Fellow Garifuna musician, the late Andy Palacio was a highly respected name on the world music circuit; Aurelio is a worthy successor, particularly when he stays as close to the roots as he does on Landini. R2 - Rock 'n' Reel Magazine (UK)
- Lándini is another gem of Garifuna music. Gentle and melodic... ...it's Latin music with a sweet twist. New Internationalist (UK)
- ...an irresistible testament to the musical heritage of Honduras delivered by an emerging superstar of world music. Landini is a well-produced and authentic album full of deft musicianship and Aurelio's rich vocals... Folk Roots Magazine (UK)
- * * * * * Superb... Songlines Top Of The World Album. Landini is imbued with melancholy, memory and celebration ... rich in variety ... wonderful. Read more. Songlines Magazine (UK)
- Aurelio, in fine voice throughout, has an uncanny knack for melding joy and sorrow with his vocal delivery. These are songs of hope and striving; you hear it in every note. Read more. Afropop.org online (USA)
- Aurelio's strongest outing yet... ...rooted artistry at its finest. Rootsworld.com (Online USA)
- * * * * The album sounds passionate but also tactful and introspective It let itself loose with upbeat tempo, triumphs of percussions and wild traditional punta rhythms, but it is also able to slow down the pace, to become pensive and melancholic reflecting the bitter-sweet mood of the lyrics. AAA Music (UK)
- Amazing new album from Honduran Garifuna master... ...Aurelio. A real world music jewel. Tropicalbass.com (Online)
- The Alluring Garifuna Sounds of Aurelio. Lándini is a captivating album with irresistible rhythms outstanding musicianship and fascinating depictions of Garifuna life and history. read more worldmusiccentral.org (Online)
- Aurelio Martinez achieves a sublime mix of vibrato-rich electric guitar and piquant acoustic guitar over sashaying syncopated grooves... ...and a hypnotically chanting chorus often answers his easy, soulful singing; the upbeat material is great, and the gorgeously meditative ballads are even better. Martinez is nearly as charismatic onstage as Palacio was, and his return to Chicago is overdue... read more. The Chicago Reader (USA)
- Very beautiful, very evocative. Bob Harris, BBC Radio 2 (UK)
- * * * * Beautifully produced... ...a powerful reminder of the glorious music of this Caribbean people. London Evening Standard (UK)
- 9/10 - I don't know how many great albums have been written by a musician and his mum... but for Aurelio, it has worked. ...nostalgic and melancholy in Aurelio's voice, despite the pounding of drums on tracks like Durugubei Mani. He shows off his guitar chops on songs like the stripped back acoustic Nitu. ...there are big memorable melodies across the album...read more. Curious Animal online (UK)
- 8/10 - Very danceable with lots of hooks. read more. Louder Than War Online (UK)
- ...a vibrant updating of the traditional song craft... ...but above all else a jubilant, musical celebration and joy to listen to. read more. Folk Radio (UK)
- It's a gorgeous release. Cerys Matthews, BBC Radio 6 Music (UK)
- Powerful and vibrant... ...an engrossing blend of upbeat, Latin rhythms with heartfelt melodies. Nubiart Diary (UK)
- * * * * Lándini is an elegant creation... ...its easy, swaying rhythms overlaid (at times contradicted) by Aurelio's impassioned vocals ... there's a ruminative, melancholic undertow throughout and some deft surf-guitar work. Smell the salt air. read more. The Observer (UK)