Bab L’ Bluz KEXP Session
During their North American tour in July 2024, Bab L' Bluz visited the studios of KEXP in Seattle to...
Fri, 25 October 24
Released 04 June 2000
Liner notes
Music written for and inspired by the film I Could Read The Sky by Nichola Bruce, produced by Janine Marmot and based on the book of the same name by Timothy O’Grady and Steve Pyke.
An old man, at the end of his life, remembers. Alone in his bedsit in London his mind wanders, haunted by the past, its images of loss and isolation —growing up on the West Coast of Ireland, the women he has loved, his journey to London and his harsh life as the migrant labourer. The music written for this story traces this labyrinth of memories— from the nostalgia and beauty of the traditional rural way of life to the brutality and energy of modern urban existence.
I’m stretched on your grave
This is where you will find me
If I could touch your fingertips
I would never let you go
My little apple tree, my darling
It is time for me to lie with you
I smell of the cold earth
Have become
The colour of the wind
The colour of the sun
When your people
Believe me to be in my bed sleeping
I will be a spirit being
In the meadows before you
“When I hit the first notes my hands take off like a pair of birds. I can feel the tune spilling itself out inside me. I can see all the notes like they’re small coloured stones you’d find on the strand. I can look at all sides of them and find the right place for them to go…”
“We are the immortals…We have one name and we have one body. We are always in our prime and we are always fit for work. We dig the tunnels, lay the rails and build the roads and buildings. But we leave no other sign behind us. We are unknown and unrecorded. We have many names and none are our own. Whenever the stiffness and pain come in and the work gets harder…we change again into our younger selves. On and on we go. We are like the bottle that never empties. We are immortal.”
Gallery
Reviews
Mandolin and fiddle duets or concertina solos vie earthquaking, industrial racket, grindy guitar growl and distorted spoken-voice sequences . Q Magazine (UK)
Layer upon layer to be peeled away with every listening. One things for sure and certain: I Could Read The Sky is an album to inhabit, not merely to listen to. Hot Press (Ireland)
Further Listening
Released 21 September 1997
Released 26 February 2016
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Fri, 25 October 24
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