Mari Kalkun releases animation film for ‘Mother Earth’ in collaboration with Brian Eno’s EarthPercent charity
The song, 'Maaimä', is about the controversial relationship between humans and nature.
Tue, 14 May 24
Various Artists
Released 05 June 1989
Liner notes
Passion Sources was compiled by Peter Gabriel as a companion to his album Passion, the music he’d written for the Martin Scorsese film The Last Temptation of Christ.
Recording the film soundtrack, Peter Gabriel worked with many international musicians. Some recorded at Real World Studios, some on the film’s location in North Africa, and others were sought out from past archives. Passion Sources gives us scope to hear more from these musicians in their own right.
“In my research for Passion, many people mentioned the wonderful resources of the National Sound Archive and in particular introduced me to Lucy Duran, who both understood what I was hoping to achieve and made lots of great suggestions. Scorsese had asked for a new type of score that was neither ancient nor modern, that was not a pastiche but had clear references to the region, traditions and atmospheres, but was in itself a living thing.”
Passion Sources includes many ‘sources of inspiration’ for the main Passion album —some of the recordings of traditional music that Peter listened to at the National Sound Archive— alongside location recordings made during the filming process. For Gabriel, the archive is still a relevant source of inspiration: “There is so much great stuff there, most of which you can’t reach by Googling.”
Nusrat Fateh Ali Khan is regarded as one of the great Qawwali voices of our time. His group are highly respected throughout the Islamic world. This is an edited version of the song. The full ten minute version can be found on the album Shahen Shah which means “Bright Shining Star”, the title Nusrat has been given.
Baaba Maal is a Senegalese griot. Baaba’s performance of a traditional call to prayer was recorded during the work for the soundtrack. It appeared in the film during the scene of The Last Supper.
I have been collaborating with Shankar on different projects for the last eight years. He is always a great pleasure to work with; a very sensitive, sympathetic and gifted musician. This is a track he selected from his work with his own group, The Epidemics.
The title of this track means Celeste. It is a solo recording by the Turkish master flautist Kudsi Erguner that he made specifically for this album.
The Fallahim, Egyptian farmers, use this rhythm in their songs of celebration. This is one of the most popular of the Sharqi rhythms.
This piece was found originally on an album called The Folk Music of Egypt, an anthology by Tiberiu Alexandru. This song is a nuptial morning serenade and appears in the film just prior to the Market scene in Magdela at the entrance of the camel drivers.
A Tejbeit is a bar in which beer and other alcoholic beverages are brewed. The original field recording of this song was done in such a bar with the naturally lubricated accompaniment of the customers and bar girls. We wanted to enliven the music, which was a little lost in the recording, and so added Egyptian percussion and whistle.
Recorded specifically for this album, this piece, Persian in origin, is a prelude in a mode of Indian music.
This piece was recorded on the set of the film in Morocco. Additional percussion was later added at Real World. It appears during the Wedding in Canaa scene.
Originally recorded as an alternative for the brothel scene, this track was used when Lazarus was murdered by Saul.
This traditional rhythm is played by Fatala, a group of musicians from Guinea, West Africa.
The original recording of this track appeared in the film during the brothel scene and was one of the pieces that helped shape Martin Scorsese’s ideas for the soundtrack.
The title of this song translates to The High Palm Tree. The Musicians of the Nile also collaborated on the Passion album.
This is an instrumental adaptation of ‘The Song Of The Emgirant’. ‘Song Of Complaint’ originally appears on an album entitled Armenie Musique de Tradition Populaire on Ocora Records. The music is played on a double reed instrument called a Doudouk. This is an instrumental version of a song of sorrow which describes the forced emigration of a person on account of his poverty.
Reviews
These inspirational items are full of musicological interest and show team members such as Shankar and Baaba Maal going through some impressive paces. Q Magazine (UK)
Released 05 June 1989
Released 05 June 1989
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