Real World Records to release ‘lost album’ by the late Nusrat Fateh Ali Khan
Discovered in the label's archives, the album captures the singer at the height of his vocal powers.
Wed, 19 June 24
Released 30 June 1996
Liner notes
The Tenores’s singing is a typical expression of the traditional polyphonic style of Sardinia. The origins of the singing date back to the era of “nuraghes” (circular buildings made of stones around 3000 BC), when it established itself in the lives of the shepherds, and have many affinities with the songs of the Orient, Africa and also Oceania – particularly in the guttural voices and strong asymmetric rhythms.
The Tenores do not use written music – this precious cultural/musical tradition is handed down orally from father to son. Their singing is closely linked to extemporary poetry, although the Tenores are also able performers in the execution of written poetry. The poems are often composed by a classical Sardinian author who is unrecognised in official Italian literature. They describe moments of everyday life in the agricultural, stock-raising or artisan world, but also include love, religious and satirical songs.
The Tenores’s singing is characterised by the sounds of the natural landscape – sheep bleating, cows bellowing, the wind hissing (onomatopoeic sounds). In Bitti there are a dozen different types of tunes – ballu lestru (fast dance), ballu seriu (serious dance), isterritas, muttos, passu torrau, andira, dillu, boke ‘e notte (night’s voice), ninna nanna (lullaby), grobes, innu (hymn), cantos religiosos (religious song).
Usually there are four voices in a group of Tenores – boke (soloist), bassu (key note – first degree), contra (fifth of the first degree) and mesa’oke (high eighth of the contra). The melody is struck up by the soloist, who sings a specific poem or improvises, establishing the intonation and the rhythm; he also pays maximum attention to the execution of the melody, because he has to decide the right points for the change of tonality (to go up or down one tone). The other voices (the rhythmic and harmonic section) enter during the development of the musical theme.
The singers stand one in front of the other, forming a circle; their singing is a symbol of the strength, of the social cohesion, which is felt inside. There exists a true magnetism and solar energy between the granitic land of Sardinia and the Tenores’s singing. Without doubt, the Tenores di Bitti is one of the purest groups of the island, whose roots are deeply established in the ancient culture of Barbagia – the heart of Sardinia.
Further Listening
Released 23 July 2000
Released 18 March 2002
Discovered in the label's archives, the album captures the singer at the height of his vocal powers.
Wed, 19 June 24
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